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Aboriginal Aboriginal Art Alice Springs Alick Tipoti Andrea Hylands Angelina Pwerle Arnhem Land Art art in China Artlore Australian Galleries Barcelona Barrow Island Batik Berlin Biennale of Sydney billabong Bill Nuttall British Museum Burrup Bush plum CAAMA Cambridge Camel Camp Cane toad Canopy Artspace carboniferous Central Australia Ceramics China Christmas Island circumcision Clinton Nain Coral Sea creative-i creative cowboy Crocodile cultural destruction dance machines Dari Darwin Dennis Nona de Young Museum Dreaming Drought Dugong East Alligator River education Elephant Emily Kame Kngwarreye Emmanuel Parsimei Erub Erub Island figurative painting Film essays Finke River Fuping Gerald Durrell Ghost nets GhostNets Australia Glen Namundja Goanna Great Barrier Reef Gulumbu Yunupingu Gunbalanya Habitat history human rights Indigenous Injalak Jabiru Jacob Nayinggul Japan John Wolseley Jolika collection Jomo Kenyatta University Julie Gough Kakadu Ken Thaiday Kenya Kimberley Lake Eyre land rights Lion London Maasai Maasai jewellery Maasailand Maasai scholar Maasai warriors light a fire Mabo Maningrida Marc Gooch Marseille MCA Sydney Metapatterns Metropolitan Museum Murujuga Museum of Contemporary Art Niagara Galleries Northern Territory Oceanic art Paddy Bedford Papua New Guinea Paris Perentie Peter Churcher Peter Hylands poem Python Quai Branly Rift Valley River Cam rock art Rodney Gooch Roebourne Roslyn Oxley9 Saim Saltwater People Sand monitor San Francisco Saylor sea rights South East Asia Spain Stony Desert swamp Sydney Sydney Harbour Taiwan Tanzania The Great Artesian Basin Tiger shark Torres Strait Torres Strait Islands Trompe l'oeil Turtle UNESCO Utopia Wamud Namok war artist Warriors Western Arnhem Land Western Australia wetland We walked on a carpet of stars Xi'an

creative-i

creative-i magazine provides news about Creative cowboy film projects around the world. creative-i includes images of the places, of the people and of the art, so important to making our projects a success.

In this issue the theme is vanishing worlds as we think about what is happening to culture and nature at film locations where the Creative cowboy crew has worked.

We have written these articles because many of these issues are profound and will eventually impact on us all. We also journey to the Pacific and write about our adventures there.

creative-i, a Creative cowboy films publication, is published twice each year. You can subscribe free to future issues of creative-i here